Nayin and the thirty paired classifications

Paired classifications

Nayin, 纳音, classifies a complete stem-and-branch pair. It groups the sixty entries in the Ganzhi cycle into thirty neighbouring pairs: positions 1–2 share a name, positions 3–4 another, and so on. Jia-Zi and Yi-Chou both receive Metal in the sea. Each name combines an image with one of the five phases.

The lookup applies to a year, month, day or hour designation. First establish that designation, then locate it in the table. The same Nayin name belongs to both stem–branch pairs in a row.

Nayin has a historical connection with musical theory. In the music section of his Mengxi Bitan, or Dream Pool Essays, Shen Kuo relates the sixty cyclical designations to twelve pitch standards and five tones. His explanation associates Jia-Zi and Yi-Chou with Metal. This musical framework connects the cycle to the five phases, while the names below give each paired classification a distinctive material or landscape image.

The thirty names

Each row covers two neighbouring positions in the sixty-part cycle. Chinese names accompany the English labels. “Spring water” means water from a spring, not water associated with the season. The phase translated as Metal also appears in images of gold.

Cycle positionsStem–branch pairsNayinChinese name
1–2Jia-Zi / Yi-ChouMetal in the sea海中金
3–4Bing-Yin / Ding-MaoFire in the furnace炉中火
5–6Wu-Chen / Ji-SiGreat forest wood大林木
7–8Geng-Wu / Xin-WeiRoadside earth路旁土
9–10Ren-Shen / Gui-YouSword-edge metal剑锋金
11–12Jia-Xu / Yi-HaiMountaintop fire山头火
13–14Bing-Zi / Ding-ChouWater in the ravine涧下水
15–16Wu-Yin / Ji-MaoEarth of the city wall城头土
17–18Geng-Chen / Xin-SiWhite-wax metal白蜡金
19–20Ren-Wu / Gui-WeiWillow wood杨柳木
21–22Jia-Shen / Yi-YouSpring water泉中水
23–24Bing-Xu / Ding-HaiRooftop earth屋上土
25–26Wu-Zi / Ji-ChouThunderbolt fire霹雳火
27–28Geng-Yin / Xin-MaoPine and cypress wood松柏木
29–30Ren-Chen / Gui-SiEver-flowing water长流水
31–32Jia-Wu / Yi-WeiMetal in sand沙中金
33–34Bing-Shen / Ding-YouFire below the mountain山下火
35–36Wu-Xu / Ji-HaiWood of the plains平地木
37–38Geng-Zi / Xin-ChouEarth on the wall壁上土
39–40Ren-Yin / Gui-MaoGold-leaf metal金箔金
41–42Jia-Chen / Yi-SiLamplight fire覆灯火
43–44Bing-Wu / Ding-WeiWater of the celestial river天河水
45–46Wu-Shen / Ji-YouEarth of the great post station大驿土
47–48Geng-Xu / Xin-HaiHairpin and bracelet metal钗钏金
49–50Ren-Zi / Gui-ChouMulberry wood桑柘木
51–52Jia-Yin / Yi-MaoGreat stream water大溪水
53–54Bing-Chen / Ding-SiSandy earth沙中土
55–56Wu-Wu / Ji-WeiFire in the heavens天上火
57–58Geng-Shen / Xin-YouPomegranate wood石榴木
59–60Ren-Xu / Gui-HaiOcean water大海水

There are six named classifications for each phase, covering twelve of the sixty positions in this mapping.

Different meanings of “element”

A stem's phase and a pair's Nayin are different classifications. Jia and Yi are Wood stems, yet Jia-Zi and Yi-Chou have the Nayin Metal in the sea. Jia-Chen also begins with Jia, but its Nayin is Lamplight fire. The phase of the first character does not determine the Nayin of the complete pair.

A Nayin entry also leaves most of a date unspecified. Metal in the sea identifies two positions, not one, and those positions recur on several timescales. A calendar note still needs its year, month, day or hour context.

In a four-pillar birth chart, the Nayin label belongs beside the pillar from which it was obtained. A year classification cannot substitute for the month, day and hour classifications.

AD 1–2100

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